It appears to suggest it’s unfinished and no credits – a state of affairs that’s enabled producer Swizz Beatz to claim that his five-year-old son produced the penultimate track. By contrast, its successor is less than half as long, arrives in a plain sleeve with its tracks unnamed, save for a series of mysterious dates that may allude to when the tracks were written or recorded, or the incidents that inspired the lyrics took place, or indeed neither of those things.
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